About the song

 Now that’s a song that truly captured the zeitgeist of the 1980s. Released in 1980, it wasn’t just a hit single, it became a cultural phenomenon.

But to understand the impact of “Call Me,” we need to rewind a bit. Blondie, fronted by the iconic Debbie Harry, had already established themselves as pioneers of the New Wave scene. They blended punk rock energy with pop sensibilities, creating a sound that was both catchy and edgy.

Then came Giorgio Moroder, the Italian disco producer who was a mastermind behind the rise of synth-driven music. Moroder was approached to create the theme song for the film American Gigolo, a stylish and provocative movie starring Richard Gere.

Here’s where things get interesting. Moroder crafted the instrumental intro for “Call Me,” a pulsating synth line that perfectly embodied the burgeoning electronic music scene. It’s hypnotic, almost futuristic, and instantly recognizable.

Debbie Harry, with her cool, detached vocals, then brought the lyrics to life. The ambiguity of the song’s message is part of its brilliance. “Call Me” is a conversation between a seductive woman and a mysterious man. The lyrics, penned by Harry herself, are open to interpretation. Is she a playful tease, a femme fatale, or something else entirely?

The line, “Color me your color, baby. Color me your car.” is a prime example. Is she asking to be swept away, to become part of his world? Or is it a hint of danger, a suggestion that she’ll adapt to his desires, no matter how dark?

The beauty of “Call Me” lies in its ability to be both playful and provocative. The music is undeniably danceable, with a driving beat that practically begs you to move. Yet, the lyrics hint at a deeper mystery, a hidden world beneath the shimmering surface.

This duality is what resonated with audiences in the 1980s. It was a decade of excess, of synthesizers and neon lights. “Call Me” perfectly captured that energy, the yearning for excitement and a hint of danger lurking just beneath the surface.

The song’s success was undeniable. It topped the charts in the US and the UK, becoming Blondie’s biggest hit and the best-selling song of 1980. “Call Me” transcended the boundaries of pop music, becoming a cultural touchstone. It was featured in countless movies and television shows, and its influence can still be felt in music today.

So, the next time you hear that pulsing synth line, remember the story behind it. “Call Me” is more than just a catchy tune; it’s a snapshot of a cultural moment, a testament to the enduring power of great songwriting and innovative production.

Video

Lyrics

“Call Me”

Colour me your colour, baby
Colour me your car
Colour me your colour, darling
I know who you are
Come up off your colour chart
I know where you’re comin’ from
Call me (call me) on the line
Call me, call me any, anytime
Call me (call me) my love
You can call me any day or night
Call me

Cover me with kisses, baby
Cover me with love
Roll me in designer sheets
I’ll never get enough
Emotions come, I don’t know why
Cover up love’s alibi

Call me (call me) on the line
Call me, call me any, anytime
Call me (call me) oh my love
When you’re ready we can share the wine
Call me

Ooo-oo-oo-oo-oo, he speaks the languages of love
Ooo-oo-oo-oo-oo, amore, chiamami, chiamami
Ooo-oo-oo-oo-oo, appelle-moi mon cherie, appelle-moi
Anytime, anyplace, anywhere, any way
Anytime, anyplace, anywhere, any day-ay

Call me (call me) my love
Call me, call me any, anytime
Call me (call me) for a ride
Call me, call me for some overtime
Call me (call me) my love
Call me, call me in a sweet design
Call me (call me), call me for your lover’s lover’s alibi
Call me (call me) on the line
Call me, call me any, anytime
Call me (call me)
Oh, call me, oo-hoo-hah
Call me (call me) my love
Call me, call me any, anytime
[fade]